The rather marvellous
Jean Power recently released a pattern called
Key To My Heart and Mummy and I immediately adored it so we decided to set ourselves a little challenge. We would both bead it together and see how differently we interpreted the uses for these gorgeous little trinkets.
We'll see Mummy's use first:
Mummy chose to make a rather delicious necklace using both keys and the padlock as a centre piece. As you can see, she used her favourite blue for the detail colours and it looks rather fabulous!
Here's a close up of the centre piece with both keys on the simple peyote chain - she wanted the keys and the padlock to really stand out with this and she has definitely achieved that.
Mummy chose to have the keys come off if she wanted something a little bit simpler. I love this with the padlock alone because it looks so
Sid Vicious!!! This is how I'd wear it :)
This is what she said about the pattern and how she got on with it:
"Hello dear, doing my duty for you... The keys were very easy to make, the instructions were very clear. I also made one more with peyote and less brick and, though I think it looks nicer, it is not as robust.
The padlock I found more difficult for some reason... It wasn't until I had made it/remade it for the 4th time that I really felt comfortable about the shaping - as you said, I was probably over analysing it with my mathematical brain - possibly if the diagrams had shown how the shape began to form I might have found it easier (being a visual learner!). Once I was comfy with it, it was no problem. I think I also changed the beads I used to more delicas than in the pattern but I can't remember - you've got it Cate, so you can look!"
This is how I used them:
As you can see, I decided on a much darker colour choice - I love gunmetal and red, the black beads helped to darken the Swarovski rivoli from the much brighter red
that you can see in this blog post, taking it to a much bloodier red.
I also thought that the components really lent themselves to be a fabulous pair of same-but-not-the-same earrings. I never wear earrings that match - I even have one piercing in my left ear and six in my right ear because I dislike matching so much! For me, odd but paired earrings really work, and Jean's fabulous pattern was a simple but effective way to make them.
As for interpreting the pattern, I found that a breeze. Where Mummy had issues with making the padlock, I had none. This is probably because I just sit back and put my brain in neutral when beading up a pattern and trust implicitly that all the steps are correct and the design will suddenly emerge in the way the designer wanted! Mummy, on the other hand, is a much more inquisitive beader, analysing every step and second-guessing all the missed stitches and additional stitches and seeing how the designer created the form.
In the end, the padlock took me one evening and the key took another evening so they were pretty quick makes.
What makes this pattern such a bargain (seriously, a measly six squiddlies - or £6 if you don't work in squiddlies!) is the fact that the components are so versatile. I immediately though of mismatched earrings, Mummy wanted a necklace that could be worn three ways. There are loads of other things you could so with these pieces - what about beading a load of them and adding them to fat chunky chain to make a superbly chunky charm bracelet? Changing the rivoli sizes and making a hugely oversized key pendant on a long necklace? Turning the rivoli key on the horizontal, adding a peyote shank and making a bling ring? Having a deliciously long lariat end in a padlock on one end and a key on the other? Seriously, the list is endless! Go get this pattern!
